Charming? I am not sure!

I have been making charms today - some of them I am not sure about. 

I don't like sending anything out that I would not be happy to receive myself - so please help me to decide which ones are sent and which ones should not.  I have enough time to make some more and these were my first attempt.

1

These are close ups and much bigger than the charms themselves as the charms are less than an inch square

2 and 3

These are highly magnified!

Stamped into and painted 

4

These have been made out of Friendly Plastic and painted

5

Melted and poked about a bit

They look very shiny in real life

Like black polished pebbles

6

With the exception of the leaves the backs are all this pattern

Sorry about the glare reflection - its shiny and difficult to capture.

7

Roll, squashed, poked about and painted

8

Same method but no two are the same

9

I am not too keen on this one - so I think it will be rejected

I did the veining with a pokey tool and it looks a bit thick

10

The charms are going on a silver bracelet

11

As before, squashed and poked

12

Extra painting

13

Unlucky for some - this is headed for the bin I think

14

I copied a dried seed pod- think it didn't translate too well

Maybe I need to paint the pod in the middle - pod colour!

15

I enjoyed making this one - but now that it is enlarged a great deal - it looks like a beheaded beetle's belly with a six pack!

That's it for now folks.

Please leave a comment on the ones that are rejects.  I really do truly want to know - and I have plenty of time to make some more.

Thank you

Experimenting - making cards

I have joined a Forum 'Birthday Club' and it's great as it forces me to make

cards each month for whoever is on the list.

It seems easier when you have someone in mind for the card rather than just trying to make one for the sake of it.   This lady speaks fluent French - she is also brilliant using inks to make backgrounds.  So I tried my best to do the same.  Of course the main part of the card is on pre-printed paper, but I did enhance it with chalks here and there to give a bit of 'depth' to places.

I also inked on top of the matted cards, and coloured a bit of the stamped image.

I know I have a long way to go until I can perfect my cardmaking skills so that it comes easier to me - but at last now I am starting to enjoy the challenge.

Two more to do soon.

Pizza Box

I made this little pizza box from a template in this months online at Time for Crafting 

 It was the first time I have tried a template and it was fun to do.

I used pre-printed paper as it was my first attempt.

There is also a template for 'MUM and 'MOM' so I had a got at that just for fun

I added a little ribbon tab to make opening it easier and this is what it looks like inside

It's a great size to fit all sorts of things in - and you can tailor make it to suit the gift.

I also made another little one - and used it to send one of my UTEE Vintage pendants to the USA.

Inspired by Linda Elbourne in Craft Stamper April Issue

I made this altered beer mat following Linda's instructions in the magazine - and did it my own way, improvising with my own stash when I didn't have the same things.

I made a template of the beer mat using some recycled brown hardboard.

Then I coloured it with distress ink, and stamped it with stamps originally from Katy's Corner

I embossed half of it with the Cuttlebug spotty folder which made it look lighter

I stamped on some card and coloured it with the same distress ink and mounted it into a book plate, and attached it.

I stamped the Tim Holtz bird on a branch stamp onto card

Coloured it, and cut it out and adhered it to the mat.

I then coated the bird and branch with Glossy Accents' to give added definition and texture

It's not quite dry yet - but I couldn't wait until tomorrow to take a photo

It's the little things that sometimes inspire you the most.

I was re-reading through April Craft Stamper magazine - and was inspired by another featured artist Linda Elbourne

A lovely lady sent me the same beer mats that Linda uses - I said a private thankyou - but publicly I am saying another thank you as it has enabled me to finally have a go at these.  (Sorry I can't put her name or she might be inundated with requests for beer mats - and might end up paralytic)

This is my first effort so not very good - but it is symbolic - and special to me.

A few days ago, I was sitting in the garden in the early evening, relaxing after all the digging I had done.  So what's special about that you might ask?

Well, I was fortunate to get the very latest hearing aids a few days before, and as I sat there I was overwhelmed at hearing the birdsong.  It was beautiful - so many birds - so many sounds - it brought a tear to my eyes I have to admit.  I could hear my chickens before, and the occassional pigeon cooing - but the chorus of birds all around was quite a revelation.

I can see that this isn't very good at all - it's my first attempt.

I covered the beer mat with silver plumbers tape (self adhesive)

Then I embossed it through my Wizard, and coloured it spring green

Went over the floral raised embossing with alcohol inks.

The dovecote, dove and sentiment were stamped on card which was covered in the plumbers tape

It's hanging in the studio,with the date on the back - of the day I heard the birdsong

If you wonder what I am up to when I am not crafting

You can see here  I am working my socks off up my allotment - growing my own fruit and vegetables - plus messing around in the garden with the chickens.

It has arrived safely so I can reveal it now

When I saw this painting in a magazine I just had to use it for a friends' bag.

It is in the Tate Gallery in London, and was painted by John Singer Sargent in 1885-6

It is called, Carnation, Lily, Lily, Rose.

The painting is set in a garden in the Cotswolds village of Broadway,

where John Singer Sargent stayed in the summer of 1885.

The children lighting Japanese lanterns with tapers are Dolly (left) and Polly Barnard.

Their father was the illustrator Frederick Barnard – a friend of Sargent’s.

Sargent wanted to capture the exact level of light at dusk so he painted the picture out of doors, in the Impressionist manner.

As autumn came and the flowers died he resorted to painting flowers in pots. The title comes from the refrain of a popular song The Wreath by Joseph Mazzinghi. It was a Victorian song - alas I do not know the words. 

In his painting the lilies and are white - so too the dresses. The background is rather dark because of the light he painted it in. I have taken a bit of 'poetic license' and painted with alcohol inks and a highlight pen on a heat transfer which has been absorbed by the jute.   I personalised the bag by copying the header page from Pat's Blog and coloured that too.  If you haven't visited her blog - do take a look - she makes the most amazing bags - amongst other things!

A little message inside

 
It looks better in real life - it was a bright sunny day when I took these photos - I am hopeless with a camera!